This blog is dedicated to the sounds of Future Jungle ,J-Tek,140 Jungle,Jungle Breaks,Hardcore Breaks,Dubstep,Breakstep,Nu Jungle,Jungle Tekno and Nu-Rave
After some great releases on Top Drawer Digital, Hardcore Lives and on the Warehouse Wax 'We're Not Dead: The 3rd Chapter' LP Ben venom has a fresh 4 track EP of 140 Jungle/Jungle Breaks that is truly venomous!!! The title track is a massive piano anthem with added filthy bass n beats, 'Rasterizer, One Foot Skank' & '4King Ganja all have a distinct Ragga theme and vibe, each with Ben's classy production amped up to +10 on the scale, DJs!!!! Get on this fiyaaaaaahhhhhhhh!!!!
Following on from the epic compilation 'We;re Not Dead: The 3rd Chapter' the latest release on Warehouse Wax is a mammoth free EP consisting of 10 tracks by Vinyl Junkie & Sanxion, from breaks to 140 Jungle to DnB, a wide spectrum of styles is covered, vocal anthems like 'Poison Me, 'Talk To Much' & 'Wages Of Sin', remixes from Gold Dubs & Strange Rollers, this really is a very BIG EP with something for everyone, oh and did we mention its free!?!
We’re Not Dead: The 3rd
Chapter is looking to be the biggest release to date from Warehouse Wax, when
you embarked on this project, did you have any idea it would end up clocking in
at a staggering 50 tracks?
No, we we’re
thinking it would be more along the lines of 36 tracks, 18 on each mix. But we
got sent a lot more tunes than we thought we would. We decided to cap it at 50.
We could have had more but we had to set a limit really… 50 seemed like a nice
round number… Sorry for all the people that sent tracks that didn’t make it
onto the album… The competition was tough!!!
Can you tell us a bit about
the tracks you compiled for the album and what made them stand out to you?
Well, pretty much
all the tunes were sent straight to me and I would keep the ones I thought were
worthy, so they kind of got filtered before they even made it to Sanxion… We
argued a bit over some of the tracks and whose mix they were best suited to…
and his dad actually had to break up a fight on one occasion when I had him in
a headlock on the floor. So in the end we just tossed a coin on some of them.
The tunes all stood out, for different reasons, or they wouldn't be on there.
The most important thing, which determined whether a tune would make it to the
final shortlist folder, was the quality of production. There was a few tunes
that were really good but the production just was not there. There was also a
few artists we had to work with to get the production better as well.
What do you look for in a
track and what in your opinion, lifts a track from being average to being a
track that gets played time and time again?
I look for
originality, whether I think it will work on the dancefloor and a high standard
of production. What lifts a track from being average to being a track that gets
played time and time again? Well that’s the million dollar question isn't it.
When I figure that out I’ll be a very rich man!! I think if you have a really
well produced vocal track that is catchy and sounds fresh and current, then you
have as much chance as the next man of having a BIG tune on your hands. The key
is to PR the release properly. Get a PR company involved that can help you get
it into the right hands.
What advice would you give
to aspiring producers out there?
Try to be
original without alienating yourself. Perfect your craft and don’t send out
tracks unless you are 100% sure about them because it will come back to haunt
you later…
Sanxion
You have had a number of
releases out on Warehouse wax but how did you get involved in compiling this
latest album for the label?
It all started
with a studio session between myself, Billy 'Daniel' Bunter, and Warehouse Wax
boss Vinyl Junkie. Daniel had known and worked with VJ before and it seemed a
perfect fit for the 3 of us to get together to do a track.
After that session Vinyl Junkie kidnapped me, and has forced me to work for the
label ever since. If I blink 3 times in a row at you when he's not looking, we
can make a move and free me right?
The more boring
answer, is, me and John got on well when we met up that first time, and decided
to carry on doing tracks together, and he let me do a few remixes, and
eventually get my own EP on the label. It's just been a natural progression
from then to getting amongst it and compiling the album with him.
You have quite a diverse
selection of tracks that you personally picked for WND 3, what was it about
them that made you want to include them?
I can usually
tell within the first 30 seconds or so if a track is going to grab me or not.
I'm all about the biggest beats possible, the loudest bass, and the raviest
rave style bits. Sometimes, the more over the top, the better for me. Big and
brash and banging. If it fits those 3 criteria, I'm usually sold. The tracks on
my mix on the album hopefully cover that side of what's going on with bass and
breaks at the moment. Being a bit of a techie geek, I also quite like tracks
that get all technical along with it too.
And which producers in
general are doing big things in your opinion?
Strange Rollers
always delivers. His stuff sits on that fine line, between being banging, but
also being very musical, whilst somehow managing to evoke the spirit of
"Intelligent Jungle" (for want of a better phrase).
Toronto is Broken is just a beast when it comes to multi genre stuff. Pretty
much everything he touches is massive. King Yoof, and Gold... just because they
do that Future Jungle with Reggae sound so amazingly well. As do the
RadioKillaz…
Too many to mention in a short interview to be honest. I also love the stuff
that Flashback and Retropolis do (but I could be a little biased there, as
their stuff comes through my studio a lot of the time) Slightly away from the
140 scene (is that even a good way to describe it these days?), I love what
Dodge & Fuski, and Zomboy do. Just 110% banging!
As an ardent gamer, which of
the next gen consoles do you prefer and what games are you currently enjoying?
Don't get me
started...
This next gen cycle, I am holding off (at least for a while). XboxOne is the
obvious way to go for me, as my current gen gaming was mainly on the 360. But
nothing about it is really grabbing me. They are pushing towards it being a
media hub, but a lot of the media integration, is (at the moment) USA centric.
Same sort of thing with PS4 so far. Nothing really grabbing me enough to stump
up the 400 quid or so this time around. In recent months, I bought a new studio
PC, so whilst I was at it, I bought a decent video card, and have been having a
ton of fun playing games on there. Stuff looks as good/better than pretty much
all the cross platform next gen stuff still.
I have played
some great games this year. Saints Row 3, and then straight into 4 was about
the most fun I have had with a videogame ever! Also, Bioshock Infinite, was
quite possibly the best piece of story telling done in the medium so far (some
of the combat gameplay wasn't great, but the narrative, and especially the
ending made up for its shortcomings) This year has been the year of the Indie
Game though. I urge you all to check out ‘Thomas was alone’ (never will a game
make you "care" about a bunch or rectangles quite so much)
Gone Home (Is it
even a game? Storytelling without a story so much)
The Stanley
Parable (A subversive narrative on the mindset of game progression...and
probably the only real "funny" videogame ever made)
Hotline Miami
(Uber violence, that somehow manages to evoke an oddly specific mood)
Rogue Legacy (The
best retro-action-plaform-roguelike-hack'n'nslash-rpg?)
I'm also in the
middle of building myself a mame cabinet using a Raspberry PI as the guts....
top fun.
'We're Not Dead: The 3rd Chapter' is out now on all good download stores
Warehouse Wax has had a strong year so far. Releases from Odeed & Wish, Madcap, Pressa, Sanxion and of course the Massive single and video from Austin & Vinyl Junkie Ft. Rachel Wallace – Can’t Go Back. After all that, the label is finishing the year off with a bang. And definitely with the style and class you have come to expect from this scene's leading entity.
“We’re Not Dead – The 3rd Chapter” boasts an impressive line up of artists that reads like a who’s who of worldwide bass music in 2013. So what better way to see the year out? Here is just a sampling of those involved. Vinyl Junkie, Sanxion, Wizard, RadioKillaZ, Terry Hooligan, King Yoof, Backdraft, Flashback, 601, Odeed & Wish, Strange Rollers, Eddie Voyager, Schema, Madcap, 100me, Skanx, Billy 'Daniel' Bunter and loads more But…
As always, it’s the music that does the real talking here. Label boss Vinyl junkie has teamed up with Sanxion to co-curate this album and picked only the biggest noises. Floating somewhere around breaks, bass, 140 & future jungle. The genres maybe loose but the impact isn’t. If you love hard hitting bass music with both an old skool and new skool vibe… you will love this album.
Introducing the 3rd in the series of excellent EPs from Warehouse Wax showcasing some of the finest artists in the 140 scene. There are 4 tracks here, each reflects the diversity within this sound perfectly, 100me 'In Paradise' flips the formula for the breaks sound with a unique sounding groove that you will keep coming back to, trust me, its incredibly catchy and no doubt has been rocking the dancefloors!!! Radiokillaz 'Burn Babylon' is ragga tinged 140 at its very best with a phat bassline that reminds us of old skool Andy C/RAM Records/True Playaz circa late 90s. Strange Rollers 'Doin The Herbie' fuses funky house sounds with futuristic jungle vibes and to round things up, Sanxion 'Rusty Screwdriver Skanks' is a trademark bass devastating 140 bad boy in that Sanxion style we all know and love.
For anyone who has been living in a cave for the last three
decades, could you briefly tell us a bit about yourself?
Started DJing in
1991. Played at the first Tribal Gathering, main arena 1993. Started Producing
in around 1995. Started Warehouse Wax in 2003… For more info see my website: www.djvinyljunkie.com
Your roots are in the rave scene of the early 90s, long
after the supposed demise of this scene, you formed Warehouse Wax in 2003, the
first release by yourself and Darkus was a full on 150BPM hardcore tune that
sounded like it came straight out of 1992. What was the reaction at the time to
the label and this first tune?
At first it was
really only the Old Skool crowd from the B2VOS website that really knew about
it. They all loved it and it sparked something off and lots of labels started
to emerge soon after that. Sales wise, it was a gradual thing. Sales were
really slow at first but then picked up and we ended up getting rid of the
first batch and doing a repress.
Fast forward to the present and the label is now known for
supporting the 140/Future Jungle sound, comparatively speaking, how does the
140 sound stand up to the much loved Old Skool?
Well. I love the
Oldskool as you know…. But I love the new stuff equally. The production has
moved on massively but the vibe is different now. There was just something
really raw about the music back then and as the music has evolved and the
production got better, that raw edge has kind of been lost. But I think in this
day and age, the standard of the production has to be of a certain level and
that’s not a bad thing.
Your new release is out now, it’s a who’s who of old skool
legends with Austin & Rachel Wallace on board, the video has reached over
3500 views on you tube, we understand it was a labour of love for you, how did
it all come about?
LOL. Yeah… Well I’ve
been working with Austin on and off for about 17 years so we basically just got
in the studio one day and made a rough backing track. I vaguely knew Rachel as
my mate Sike had done a track with her a few years previous, which ended up
being released on Warehouse Wax. We sent her the track and she liked it. She
wrote the lyrics and recorded the vocal and sent it to us. Me and Austin both
loved it. It was originally just something we done for a Live PA that we were
booked for at Fantazia in Bristol but everyone loved it and lots of people were
saying to us that we should release it… So we did! It took almost a year to
sort everything out but we got there in the end. And yes, it was definitely a
labour of love…
So, do you think you will be doing more videos in the
future?
To be honest, I
really enjoyed doing the video and yes I think we will be doing more. It was a
lot of fun and I think I have got the bug for it now…
Lastly, any final words and shout outs?
I’m not going to name
anyone in particular because I always forget somebody. But would just like to
send out a massive thank you to absolutely everyone that has helped out and got
behind us with promoting this release. I am quite overwhelmed and humbled to be
honest… The amount of support that it has been getting is amazing and I really
appreciate everybody’s help. Of course a massive big up to all the remixers
involved as well. THANK YOU! x
RACHEL WALLACE INTERVIEW
Thanks for taking time to have a chat with the blog, as a
brief intro, tell us a bit about your self
Well I started
making music when I was around 14years old, singing vocals in a r&b band
called Kreuz...after a few years with the group i left then started singing
with Sub Base records...
I then moved to
Germany and recorded a lot of techno/dance music...
I then joined
Stereo Mc's and have been working with them for the last 7 years...in between
touring, recording tracks for the some of the artists you named and others, at
present I'm working on a album with various other artists including Joe nebula
and the love2love Soulsystem from Basel, Switzerland...
Most of us know you from the 2 massive tracks on the seminal
Suburban Base, ‘Tell Me Why’ & ‘I Feel This Way’, how did you link up with
the people at Suburban Base?
I was at my first
rave In lea Valley...dancing on the stage, like you do!! and I bumped into Dan
Donnelly on the stage and he said that's one of his tracks they were playing
and I think I said I'm a singer...and there you go...that's how it all
started!!
You have an amazing voice, what inspired to embark on a
singing career?
Thank you!!! I've
always loved music and singing since I can remember! I've been immersed in all
different types of music since i was very young. My dad was a keyboard player
for Marcia Griffiths and various other bands and my uncle's too, so I've been
going to festivals, gigs ect since I was 12!
Recently you have
appeared on tracks for 100Me and 2 Vinyl Junkie tracks including the current
release ‘Can’t Hold Back’ where you also appear in the highly popular you tube
video, how did you get involved with this tune?
I'm very open to all
kinds of music, if someone sends me a track and I get a vibe then usually I
will record some vocals, and this is how it worked out with the 100me
guys. With Johnny it was kind of similar
but I already knew Austin really well from the Sub base days as he was the
in-house sound engineer!
What do you make of the current 140/Future Jungle Sound?
I'll be honest
with you, there are so many different styles and types of music about, if I
feel it then I like it, it's really that simple. I've just spent 2 days at
Notting Hill carnival listening to all different sound systems.. But
I always ended up at Aba-Shanti-I, this type of dub music takes you to another
level! When you’re just open to music it will touch you and that's music to
me!!
Thanks for taking the time once again, any big ups/shouts
outs to wrap things up?
I would like to
say a big shout out to all who have supported and helped with the release of
this track...and to all music lovers...
Peace & luv,
Rach
Austin & Vinyl Junkie Ft Rachel Wallace-Can't Go Back is out now with remixes by Dom Almond, Sanxion, Cottonmouth, Maximus Baxter & Strange Rollers
Check out the official videos here, now at almost 4k views:
Coming soon. Grab yourself one of these stylish USB flash drives (2GB)…. Engraved with the Warehouse Wax Logo and containing the entire Warehouse Wax back catalogue IN 320 MP3 format. Over 100 tunes in total…. LIMITED EDITION. Only 50 available. Pre-order now. Will be in stock within 14 days. Only £29.99 + Postage.
This, the second installment of Ruffneck Rydims, follows firmly in the footsteps of the first one, some may say that it has even upped the anti a little bit! The lead track is nothing short of a corker. The awesome VIRUS track from last year, which was a collaboration between VINYL JUNKIE and the almighty BACKDRAFT, gets a massive overhaul from one of Sub Slayers finest, the one and only TORONTO IS BROKEN, who has stamped his very own unique trademark sound on it. This is an absolute killer. The EP also includes a couple of our friends from across the Atlantic. all the way from California. The hugely talented duo ODEED & WISH with what is in our opinion, one of their rudest tunes to date. BUCK THEN DUCK, dancefloor destroyer. Next up, one of the people who was a pioneer in the birth of the new 140 Jungle sound, back in the days when people used to call it J-Tek. Mr MADCAP has been making quite an impact lately on the D&B circuit with releases scheduled for some pretty big labels. He has done us the honour of knocking out a slower number for the 140 crew. EASTERN PROMISE will get your pulse racing for sure. Last but by no means least, London rudeboy, the man like PRESSA shows us a bit of BADBOY STYLE. Sick!!!
1. A years Warehouse Wax subscription (Worth £49.99). Which will include getting all releases on Warehouse Wax a week before the release date as well as getting the entire back catalogue (over 100 tunes) in mp3 format. More info about the subscription service here: http://www.warehousewax.co.uk/subscription-info/
5. The winning remix will also get released on Warehouse Wax later in the year, on the forthcoming album which is currently being compiled by Vinyl Junkie & Sanxion.
HOW TO ENTER:
Read the rules and download the parts. In downloading the parts you are agreeing to abide by these rules!!
When you have completed your remix please upload to the Warehouse Wax Soundcloud dropbox here: Warehouse Wax
Your entry should be submitted, in mp3 format (320) with the filename and the title on Soundcloud as follows: WWREMIXCOMP - your_artist_name.mp3
Please make sure it is set to PRIVATE. Also make sure that you include your email address in the description and make sure it is a valid one as the winner will be notified by email. Entries not set to private or with no email address will be disqualified.
The winning entry will need to be supplied to us at a later date as an unmastered 24bit Wav so please ensure that you have this.
The final date for submissions is June 21st. The Judges for this competition are Vinyl Junkie, Kickback, Sanxion and of course the RadioKillaz. Winner will be announced on July 1st.
Remixes can be in any genre you like...
RULES
1. Entries must not contain uncleared 3rd party samples. By this i mean vocals or musical elements that have been taken directly from other peoples tunes. Sampled breaks and beats are perfectly acceptable as are samples taken from licensed / royalty-free sample packs. 2. Entrants must not be employees of Warehouse Wax Music or Trackitdown.net 3. The remix parts supplied must not be used for the production of any other music outside of this remix competition. 4. Any remixes submitted MUST NOT be uploaded to any other Soundcloud page or any other online platform in any form whatsoever (including being used in mixes or podcasts) with out permission in writing from Warehouse Wax Music. This means, not even once the competition has ended… 5. Only one entry per artist.
Warehouse Wax are proud to present a long awaited release from
the man like Sanxion, who must surely be the most prolific artist in the ever-growing
Future Jungle scene having released EP's on Billy 'Daniel' Bunters Slaughter
House Rydims imprint as well as the mighty Sub Slayers label. Not to mention
the fact that he has featured on untold compilations and remixed for just about
everybody else within the scene. Now the time has come for him to drop his
groundbreaking new EP which features 4 monstrous cuts that have been doing
serious damage for the last few months on dubplate.
The genre defying 'You Bitches Aint Got Shit On Me' kicks the EP
off with something a bit different from his usual style with its massive 4 to
the floor kickdrum and an infectious riff that unashamedly borrows its melody
from the early days of rave, all the while staying within the boundaries of
Bass Music. 'Robot House' is a piano anthem that never fails to tear the roof
off. 'A Short Story About Love' is a typical Sanxion Dubstep / Jungle
crossbreed number which nods towards the oldskool with pitched up vocals and an
enchanting pad section. 'Move Tour Body To Me' delivers more of the same with a
ruffer tear-out Future Jungle feel. In a nutshell, this EP is not to be missed.
Original Primate is the product of an amalgamation between Rob Focuz of the Apply the Breaks crew and Pete aka Secure Unit. They have been producing together for over two years now and a steady flow of releases and remixes have seen the duo's unique sound develop into a mutation of breaks,
Original Primate is the product of an amalgamation between Rob Focuz of the Apply the Breaks crew and Pete aka Secure Unit. They have been producing together for over two years now and a steady flow of releases and remixes have seen the duo's unique sound develop into a mutation of breaks, DnB & Dubstep. Having provided earth-shattering releases on Ape Records last year and more recently on Definition Breaks, the lads have finally unleashed the 'Demons Of The Jungle' EP, which has been over a year in the making. But I am sure you will agree that it is worthy of such a wait. Here at Warehouse Wax we feel that this EP firmly establishes Original Primate as one of the major players in the Future Jungle game.
For an annual subscription of £49.99 you will get: All the releases in the next year (at least 8 releases), one week before the official release date. // The complete back catalogue of digital releases (WHWM Catalogue numbers - 10 full releases). // At least 2 exclusive tunes over the next year that will not be available anywhere else, except to subscribers of this service. // A Warehouse Wax T-shirt, your choice of 3 designs and 9 colour schemes.
Warehouse Wax Music
Exclusive release date (Track It Down only): 19th December 2012
Worldwide release date: 2nd January 2013
In late 2002 Warehouse Wax decided they wanted to make music that resembled the sounds of the early 90's Hardcore / Jungle scene in the UK. 10 years later they have bundled together a bunch of mp3's that they consider to be the best of their output from 2003, when there first single was released, until 2009, around the time when they stopped pressing vinyl records.
6 of these tracks were remastered in 2012 for Vinyl Junkie to use in his DJ sets but he has now, after much arm twisting from his label partner DJ Kickback, decided to let them off for all you lucky people to use in your own DJ sets.
Today Warehouse Wax continue to release quality tunage for the masses, but this album represents their's and indeed Vinyl Junkie's legacy.
The story continues...
MERRY XMAS & HAPPY NEW YEAR FROM WAREHOUSE WAX.
TRACKLIST
Vinyl Junkie & Darkus – All Night (2012 Remaster)
Phuture Assassin – Ganja Madness (2012 Remaster)
Orca – Rise Up
Vinyl Junkie & Dope – Worries In The Dance
Whizzkick – Take You there
E-Lab Rat – Rat Safari
Vinyl Junkie & D’State – Tour Of Duty (Baobinga remix)
Austin – Suicide
E-Lab Rat – Uplifting Tip
D’State, Darkus & Tension – Dub Chemist
Vinyl Junkie & Austin – Jah Love (2012 Remaster)
Whizzkick – Urbanisia
Phuture Assassin – Forever (Madcap Remix0
Vinyl Junkie & Darkus – Pacemaker (2012 Remaster)
Phuture Assassin – Ganja Madness (Backdraft Remix) (2012 Remaster)
Vinyl Junkie - We’re Not Dead
Vinyl Junkie & Dope – Forbidden Zone
Phuture Assassin – Unbrake My Hardcore (2012 Remaster)
E-Lab Rat – Rat Hustle
Vinyl Junkie & Austin – Check It Out (Control-Z Remix)
Catalogue Number:WHWA010
CONTACT:
John Woodsinfo@warehousewax.co.uk+44(0)7719 351960
Gareth Clegggareth@warehousewax.co.uk+44(0)7933 999772
Brand new E.P from the Warehouse Wax imprint out now on trackitdown.net. A huge 6 tracker from Vinyl junkie featuring 4 remixed tunes by 601, 100me, Kambelt & Dom Almond and 2 brand new tracks by the man himself, 'Threat To Society' has a very cool drop which we at the blog are feeling right now, 601's remix of 'Resistance' is a skanking bad boy of a 140 Jungle tune, Dom Almond does a great job on 'Electro Rays', love the amazing sounding pads. This is a solid E.P as you would expect from this seminal and forward thinking label. Listen to the clips below and treat yourself or someone you love to an early present in the month of December by buying a copy!!
Red Lizard - Rushin'
Red Lizard - Rushin' (Clip) by Bad Habit Digital
Forthcoming on Bad Habit Digital, this is a great dubstep/140 crossover tune utilising the vocals from Happy Tunes-Rushing On Pink Champagne.
Strange Rollers - Change Pace
Strange Rollers - Change Pace (Clip) by Bad Habit Digital
Also forthcoming on Bad Habit Digital, Future Jungle meets DnB in this fantastic tempo shifting track full of vibes from the Rollers
Autobots & Dead Audio ft Spyda - Bring Back The Sound
Autobots & Dead Audio ft Spyda - Bring Back The Sound [96Kbps Preview] by Autobots
Following on from the excellent 'Time Machine' and featuring vocals from $pyda, Ragga Rave rudebwouy bizznizz with great off key style beats as used in many DnB tracks that give way to some crunching 140 amens, essential tunage
VINYL JUNKIE
THE JOINT PROJECTS EP (VOLUME 1)
(Featuring: Backdraft, Peacemaker, Madcap, Dope, Pressa, Odeed & Wish, Tracey Elizabeth & Jo Nye)
Warehouse Wax Music
Worldwide release date: 21st July 2012
Warehouse Wax Head Honcho, Vinyl Junkie pulls out four killer tracks featuring an array of collaborators, for his first release on the label in some time. Two brand new tracks and two that have been pulled from the vaults and given a 2012 overhaul.
First to join forces with Mr. Junkie are breaks veterans Backdraft who are, unbeknown to themselves, one of the artists to pioneer the filthy amen driven side of the breaks scene from as far back as 2004. The fusion of their sound with VJ’s love of hardcore breaks has produced an interesting montage of hard-hitting drums and dance floor splintering Basslines. Add a beautifully haunting vocal from the lovely Tracey Elizabeth and you have a track, which is nothing short of astonishing.
Next up is the crazy man of the Rave breaks scene, Peacemaker who, alongside the VJ has created something quite different from the norm. Its not Rave breaks, its not quite 140 Jungle, but it could be played alongside either. Check out the piano lick! This has been tearing up dance floors all over the place for all who have played it.
Two remixes from the Warehouse Wax back catalogue complete this EP. Vinyl Junkie & Madcap’s Underground Culture has been given the Odeed and Wish treatment for 2012, who have sprinkled it with their own unique flavour of Bass Music all the way from the U.S.A. Forbidden Zone has been turned into a 1993 type amen rinsed hoover workout for those of you who like it dark and grimy, courtesy of a promising young producer from within our UK scene; the man like Pressa
1. Vinyl Junkie & Backdraft feat. Tracey Elizabeth - Virus
2. Vinyl Junkie & Peacemaker feat. Jo Nye – Dreamers & Schemers
3. Vinyl Junkie & Madcap – Undergound Culture (Odeed & Wish Remix)
4. Vinyl Junkie & Dope – Forbidden Zone (Pressa Remix)
Catalogue Number: WHWM007
CONTACT:
John Woods info@warehousewax.co.uk +44(0)7719 351960
In case you missed it or you would like to hear it again, this is Vinyl Junkie's debut set on renegade radio,http://www.renegaderadio.co.uk/, a blend of old skool and future jungle, Vinyl Junkie now has a regular slot on the station, you can catch him live on the last Sunday of each Month and for more info of his live gigs and the warehouse wax imprint, go to www.warehousewax.co.uk
VINYL JUNKIE - Guest Mix on Old Skool Sundays - Renegade Radio. by Vinyl Junkie
